Format follows intention.

Character portraits

Develop a portrait around a chosen attitude rather than a collection of poses. Work through controlled changes in angle, gesture and distance to create a small series with a recognisable voice.

A possible starting point: Artist profiles, creative portraits and editorial character studies.

For character work, bring a short description of the attitude you want to communicate. A real commission would require agreement on casting, personal boundaries, image use and the scope of the final edit.

Motion studies

Explore what happens between settled positions. Begin with a repeatable action and refine its timing, leaving enough space in the composition for the movement to remain readable.

A possible starting point: Dance-inspired portraits, fabric movement and campaign concepts.

For a moving subject, identify the action and any space or safety considerations. Before a real session, agree how the movement will be rehearsed and which moments the resulting sequence needs to communicate.

Object experiments

Use shape, reflection and controlled colour to give a simple object a distinctive presence. Compare surfaces deliberately instead of relying on a crowded set to create interest.

A possible starting point: Design objects, packaging concepts and abstract material compositions.

For a material experiment, explain which finish or form deserves attention. A real production plan must also address object handling, scale, available surfaces and the intended publishing context.